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Curated by Dr. Tina Kinsella

November 9-December 15, 2019

An exhibition by Solas Nua in collaboration with American University MUSEUM

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MULTIPLE EVENTS

(all events are free and open to the public - RSVP required where indicated)


Saturday, November 9

Opening night

  • 5pm-6pm RSVP HERE : Gallery talk with vocal performance by Ceara Conway of a poem by Doireann Ní Ghríofa, specifically created for this exhibition

  • 6-9pm: opening reception (exhibition 3rd floor, long gallery)

at

American University Museum, 4400 Massachusetts Avenue, NW, Washington, DC 20016

FREE MUSEUM PARKING AT WEEKENDS AND AFTER 5PM WEEKDAYS


TUESDAY, NOVEMBER 12

  • 7pm RSVP HERE

  • Screening of 6SKIN a collaborative experimental film by Aideen Barry & Alice Maher

  • Followed by a discussion Somatic Encounter; the Politics of the Body in the work of Irish artists, Aideen Barry and Alice Maher with the artists, the exhibition curator Dr. Tina Kinsella, moderated by Dr. Shirley Graham.

at

NYU, Washington DC, 1307 L Street, NW Washington, D.C. 20005


Wednesday, 11 December

  • 6.30pm RSVP HERE

     Citizen Lane Film Screening 

    In conjunction with fair is foul & foul is fair, the Irish film Citizen Lane will be shown in the AU Museum. In Dublin in the early 20th century, Hugh Lane fights to establish a public modern art gallery to show the work of living artists until his untimely death on the Lusitania.

at

American University Museum, 4400 Massachusetts Avenue, NW, Washington, DC 20016

FREE MUSEUM PARKING AT WEEKENDS AND AFTER 5PM WEEKDAYS


ABOUT THE EXHIBITION

 ‘fair is foul and foul is fair’ as claimed by the witches in Macbeth describes a world where nothing - no message, no deed - is ethically clear. In Shakespeare’s fair/foul world, evil walks abroad in the guise of good, and all expectations are confounded and confused.  

In this double exhibition by Alice Maher and Aideen Barry, tropes of what could be considered fair and foul morph into unrecognizable, interchangeable and above all, challenging art works. Both artists engage at the fault lines of artmaking where sociocultural movements, media, imagery and language overlap and collapse in order to animate new, personal ways of communicating this semiotic conundrum. Both also bring an individual stinging humour and critique to their investigations of hybridity, carnality and social politics in historical time.  
In her film works, Barry explores concepts of the Uncanny and the monstrous feminine where she finds foundational substrata reflective of her own lived experience.  The human-animal-machine becomes, for her, a vehicle of an anxious interrogation of the boundaries of the psyche. Equally, Maher’s hand finished woodblock prints and hand pressed sculptures advance her continued questioning of the phenomenon of the material present.  Her hybridized images and objects expose phenomenological questions and excitations inherent in the body, and its psycho-dramatic task of being human.  The focus of both artists on the interchangeabilities of fairness and foulness is played out in this exhibition with a fascinating and urgent energy.  


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 Aideen Barry 

Aideen Barry is an Irish visual artist, known for her performance, film, sculpture,  drawing, and installation work. Her work manifests in the field of  contemporary visual arts, but it is punctuated by references to historical and often forgotten or erased figures from literature. Barry often references texts which explore the personal in a way that reflects her own lived experience.   Her work has been shown at The Irish Museum of Modern Art, LouisT. Bloudin Gallery London, Moderne Mussett Sweden, The Loop Biennale Spain, The Wexner Centre Ohio,  The Royal Hibernian Academy, the Museum des Beux Arts in Lyon, and The Banff Centre Canada. Her works can be viewed in the collections of Trinity College Dublin, The Arts Council of Ireland, The Banff Centre Canada, and CAC Malaga Spain.  

 

Alice Maher

Alice Maher’s work touches on a wide range of subjects often reprising, challenging and expanding mythic and vernacular narratives. Her artistic practice spans painting, sculpture, photography, drawing, animation and video. In particular, she is recognised as undermining traditional expectations of female identity.  Animated films expand on a lifelong devotion to the practice of drawing. She represented Ireland at the 22nd Sao Paolo biennial. In 2012 the Irish Museum of Modern Art presented a retrospective of the artists 30 year practice. Her work can be seen in many international collections including The Neuberger Museum, The Hammond Museum, Museum of Fine Arts Boston, MOMA, the British Museum and the Georges Pompidou Centre Paris. In 2013 Maher was granted an Honorary Doctorate in Fine Art by the National University of Ireland.   

 

 

 

 

   

 

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Dr. Tina Kinsella is Head of Department of Design and Visual Art sat theDúnLaoghaire Institute of Art, Design, and Technology(IADT), ResearchFellow at the Centre for Gender and Women’s Studies, Trinity College Dublin and Fellow at the Graduate School of Creative Arts and Media (GradCAM). Her writing and research are interdisciplinary, drawing on philosophy and psychoanalysis to consider the relationship between theory, contemporary artistic practice, expanded performance, visual culture, and the politics of representation


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Dr. Shirley Graham is an Associate Professor of Practice in the Elliott School of International Affairs where she teaches graduate courses on Global Gender Policy and Gender, War and Peace; and undergraduate courses on Women and Global Politics. She is the Director of the Gender Equality Initiative in International Affairs which convenes the Elliott School’s curriculum, scholarly research and engagement in the policy and practice of promoting and achieving gender equality globally.